Human Story reading and viewing list: Books and films documenting the Holocaust
Author
Charleston County Library
Article Date
April 13, 2019
CHARLESTON, S.C. - Joe Engel, a survivor of Auschwitz concentration camp and member of the Charleston Jewish Federation, spent Saturday afternoon in the Main Library Auditorium sharing tales of survival, hope, and sadness from World War II and the Holocaust.
"All of you are lucky to live in the United States, especially you young kids. You got education, you got everything. You could be anything you want to, so you're lucky you live here in the United States. There's no better place," Engel told the standing room only crowd of nearly 200 people that included dozens of children.
From the resident of a small Polish town to a prisoner in Auschwitz where he was forced to stand for more than two days without food or water, and then to an escapee who a resistance fighter who helped destroy German ammunition depots, Engel spent more than an hour telling his story and offering lessons to not repeat history.
In conjunction with the Human Story Series event, we've compiled a list of books that take an even closer look at life and death during the Holocaust with a collection of books and movies curated by CCPL staff.
Edmund de Waal is a world-famous ceramicist. Having spent thirty years making beautiful pots--which are then sold, collected, and handed on--he has a particular sense of the secret lives of objects. When he inherited a collection of 264 tiny Japanese wood and ivory carvings, called netsuke, he wanted to know who had touched and held them, and how the collection had managed to survive.
And so begins this extraordinarily moving memoir and detective story as de Waal discovers both the story of the netsuke and of his family, the Ephrussis, over five generations. A nineteenth-century banking dynasty in Paris and Vienna, the Ephrussis were as rich and respected as the Rothchilds. Yet by the end of the World War II, when the netsuke were hidden from the Nazis in Vienna, this collection of very small carvings was all that remained of their vast empire.
In this rich and riveting narrative, a writer's search for the truth behind his family's tragic past in World War II becomes a remarkably original epic--part memoir, part reportage, part mystery, and part scholarly detective work--that brilliantly explores the nature of time and memory, family and history.
The Lost begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust--an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939 and tantalized by fragmentary tales of a terrible betrayal, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relatives' fates. That quest eventually takes him to a dozen countries on four continents, and forces him to confront the wrenching discrepancies between the histories we live and the stories we tell. And it leads him, finally, back to the small Ukrainian town where his family's story began, and where the solution to a decades-old mystery awaits him.
Over the decades Heyen has most often thought, studied, and written about the Holocaust. His ground-breaking collection The Swastika Poems (Vanguard Press, 1977) was revised and expanded to Erika (1984). Thirteen more of these poems appear in Falling from Heaven (Time Being Books, 1991). Shoah Train collects more than seventy poems written over the last dozen years, lyrics of “discipline and honesty and courage and restraint,” as Archibald MacLeish described The Swastika Poems. Experiencing the new poems in Shoah Train, readers will find themselves in the voice-presence of one of our most important poets.
This book presents a new and comprehensive biography of one of the most prominent artists of the twentieth century in dialogue with the events and ideologies of his time. It encompasses the 98 years of Chagall's life (1887-1985) in Russia, France, the US, as well as Germany and Israel, his deep roots in folk culture, his personal relationships and loves, his involvement with the art of the Russian Revolution, with Surrealism, Communism, Zionism, Yiddish literature and the state of Israel. The book exposes the complex relationships between Chagall's three cultural identities: Jewish-Russian-French. Indeed, it is a biography of the turbulent times of the twentieth century and the transformations of a Jew in it, his meteoric rise from the "ghetto" of the Russian Pale of Settlement to the centers of modern culture.
A brutally moving work of art--widely hailed as the greatest graphic novel ever written-- Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.
Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.
Nora Krug was born decades after the fall of the Nazi regime, but the Second World War cast a long shadow over her childhood and youth in the city of Karlsruhe, Germany. Yet she knew little about her own family's involvement; though all four grandparents lived through the war, they never spoke of it.
After twelve years in the US, Krug realizes that living abroad has only intensified her need to ask the questions she didn't dare to as a child. Returning to Germany, she visits archives, conducts research, and interviews family members, uncovering in the process the stories of her maternal grandfather, a driving teacher in Karlsruhe during the war, and her father's brother Franz-Karl, who died as a teenage SS soldier.
When Germany invaded Poland, Stuka bombers devastated Warsaw--and the city's zoo along with it. With most of their animals dead, zookeepers Jan and Antonina Zabinski began smuggling Jews into empty cages. Another dozen "guests" hid inside the Zabinskis' villa, emerging after dark for dinner, socializing, and, during rare moments of calm, piano concerts. Jan, active in the Polish resistance, kept ammunition buried in the elephant enclosure and stashed explosives in the animal hospital. Meanwhile, Antonina kept her unusual household afloat, caring for both its human and its animal inhabitants--otters, a badger, hyena pups, lynxes.With her exuberant prose and exquisite sensitivity to the natural world, Diane Ackerman engages us viscerally in the lives of the zoo animals, their keepers, and their hidden visitors. She shows us how Antonina refused to give in to the penetrating fear of discovery, keeping alive an atmosphere of play and innocence even as Europe crumbled around her.
Lost for sixty years in a Prague attic, this secret diary of a teenage prodigy killed at Auschwitz is an extraordinary literary discovery, an intimately candid, deeply affecting account of a childhood compromised by Nazi tyranny. As a fourteen-year old Jewish boy living in Prague in the early 1940s, Petr Ginz dutifully records the increasingly precarious texture of daily life. With a child's keen eye for the absurd and the tragic, he muses on the prank he played on his science class and then just pages later, reveals that his cousins have been called to relinquish all their possessions, having been summoned east in the next transport. The diary ends with Petr's own summons to Thereisenstadt, where he would become the driving force behind the secret newspaper Vedem, and where he would continue to draw, paint, write, and read, furiously educating himself for a future he would never see. Fortunately, Petr's voice lives on in his diary, a fresh, startling, and invaluable historical document and a testament to one remarkable child's insuppressible hunger for life.
We know surprisingly little about the vast network of Nazi labor camps, where imprisoned Jews built railroads and highways, churned out munitions and materiel, and otherwise supported the limitless needs of the Nazi war machine. This book gives us an insider's account: Conditions were brutal. Death rates were high. As the war dragged on and the Nazis retreated, inmates were force-marched across hundreds of miles, or packed into cattle cars for grim journeys from one camp to another. When Sala first reported to a camp in Geppersdorf, Poland, at the age of sixteen, she thought it would be for six weeks. Five years later, she was still at a labor camp and only she and two of her sisters remained alive of an extended family of fifty. In the first years of the conflict, Sala was aided by her close friend Ala Gertner, who would later lead an uprising at Auschwitz and be executed just weeks before the liberation of that camp. Sala was also helped by other key friends. Yet above all, she survived thanks to the slender threads of support expressed in the letters of her friends and family. She kept them at great personal risk, and it is astonishing that she was able to receive as many as she did. With their heartwrenching expressions of longing, love, and hope, they offer a testament to the human spirit, an indomitable impulse even in the face of monstrosity.
At Leizer Bart's funeral, one of the mourners told his son Michael that the gravestone should include a reference to the Freedom Fighters of Nekamah, to honor his late father's involvement in the Jewish resistance movement in Vilna (now Vilnius), Lithuania, at the end of World War II. Michael had never heard his parents referenced as Freedom Fighters.
Following his father's death, and with his mother in failing health, Michael embarked on a ten-year research project to find out more details about his parents' time in the Vilna ghetto, where they met, fell in love, and married, and about their activities as members of the Jewish resistance. Until Our Last Breath is the culmination of his research, and his parents' story of love and survival is seamlessly tied into the collective story of the Vilna ghetto, the partisans of Vilna, and the wider themes of world history.
Until Our Last Breath is intensely personal and painstakingly researched, a lasting memorial to the Jews of Vilna, including the resistance fighters and the author's family.
Discovered in the attic in which she spent the last years of her life, Anne Frank's remarkable diary has become a world classic--a powerful reminder of the horrors of war and an eloquent testament to the human spirit.
In 1942, with the Nazis occupying Holland, a thirteen-year-old Jewish girl and her family fled their home in Amsterdam and went into hiding. For the next two years, until their whereabouts were betrayed to the Gestapo, the Franks and another family lived cloistered in the "Secret Annexe" of an old office building. Cut off from the outside world, they faced hunger, boredom, the constant cruelties of living in confined quarters, and the ever-present threat of discovery and death. In her diary Anne Frank recorded vivid impressions of her experiences during this period. By turns thoughtful, moving, and surprisingly humorous, her account offers a fascinating commentary on human courage and frailty and a compelling self-portrait of a sensitive and spirited young woman whose promise was tragically cut short.
When the German Remembrance Foundation established a prize to commemorate the million Jewish children murdered during the Holocaust, it was deliberately named after a victim about whom nothing was known except her age and the date of her deportation: Marion Samuel, an eleven-year-old girl killed in Auschwitz in 1943. Sixty years after her death, when Götz Aly received the award, he was moved to find out whatever he could about Marion's short life and restore this child to history.
In what is as much a detective story as a historical reconstruction, Aly, praised for his "formidable research skills" (Christopher Browning), traces the Samuel family's agonizing decline from shop owners to forced laborers to deportees. Against all odds, Aly manages to recover expropriation records, family photographs, and even a trace of Marion's voice in the premonition she confided to a school friend: "People disappear," she said, "into the tunnel."
A gripping account of a family caught in the tightening grip of persecution, Into the Tunnel is a powerful reminder that the millions of Nazi victims were also, each one, an individual life.
Anne Frank lived a life filled with the enthusiasms and hopes shared by many young women coming into adulthood. But the times Anne lived in and wrote of in her diary made her simple life extraordinary. In over one hundred photographs, many which have never been published, this poignant memoir brings to life the harrowing story of one young Jewish woman's struggle to survive during a period of history which must never be forgotten.
This book is a translation of an oral history of the concentration camp experience recorded immediately after World War II as told by men and women who endured it and lived to tell about it. Their vivid, firsthand accounts heighten the reality of this experience in ways no third-person narrative can capture. Even when they are at a loss for words, their struggle to find language to express the unspeakable is, in itself, mute testimony to the ordeal etched forever on their memories. The testimonies are arranged to reflect the chronology of camp experience (from deportation to liberation), the living conditions of camp life (from malnutrition to forced labor), and the various methods of abuse and extermination (from castration to gassing and cremation). The chronology gives the accounts a narrative flow and even creates a certain suspense, especially as liberation nears and hopes rise.
At the terrible heart of the modern age lies Auschwitz. In a total inversion of earlier hopes about the use of science and technology to improve, extend, and protect human life, Auschwitz manipulated the same systems to quite different ends.
In Sybille Steinbacher's terse, powerful new book, the reader is led through the process by which something unthinkable to anyone on earth in the 1930s had become a sprawling, industrial reality during the course of the Second World War. How Auschwitz grew and mutated into an entire dreadful city, how both those who managed it and those who were killed by it came to be in Poland in the 1940s, and how it was allowed to happen, is something everyone needs to understand.
Depicting contemporary Dachau, home of the first Nazi concentration camp, the first gas chamber, and the first crematory oven, proves an illusive task. Timothy Ryback travels to Dachau, looking for the community that inhabits the town today, to find out how the older people live with the memories and how the younger generation deals with the legacy; there he finds Martin Zaidenstadt. While Dachau's residents express vastly divergent ways of and reasons for living in a city coinhabited by ghosts, Ryback finds one daily constant: Martin Zaidenstadt's vigil in front of the camp's brick crematorium. Should you visit the crematorium, Martin will tell you, "My name is Martin Zaidenstadt. I survive this camp. I come here every day for fifty-three years." Martin claims to be a Holocaust survivor; he is both gadfly and guide, a man who embodies the paradox that is Dachau -- a place that was so successful at producing death, that it has become impossible for anyone who resides there to live a normal life. Ryback's inquiry into a place uncovers a person whose keen intelligence, subtle wit, and boundless goodwill help us to understand Dachau as a city unable to forget, yet unwilling to be defined by its abominable past. This is a stunning and passionate portrait.
Based on audaciously true events. In 1959 Bucharest, five high-ranking Jewish members of the Communist party staged a bank heist that baffled the repressive regime and left the public in an uproar. Their motives were never known. Having been captured, arrested, and sentenced to death, the unusual gang of so-called criminals is given one last punishment before facing the execution squad: reenact the heist for the benefit of a Communist propaganda film.
Norman Jewison's adaptation of the long-running Broadway musical is set in the Ukranian ghetto village of Anatevka (the film was actually lensed in Yugoslavia). Israeli actor Topol repeats his London stage role as Tevye the milkman, whose equilibrium is constantly being challenged by his poverty, the prejudicial attitudes of non-Jews, and the romantic entanglements of his five daughters. Whenever the weight of the world becomes too much for him, Tevye carries on lengthy conversations with God, who does not answer but is at least more willing to listen than the milkman's remonstrative wife Golde. After arranging a marriage between his oldest daughter Tzeitel and wealthy butcher Lazar Wolf, Tevye is forced to do some quick rearranging when the girl falls in love with poor tailor Motel Kamzoil. Fancying himself more broad-minded than his gentile oppressors, Tevye cannot accept the notion that his other daughter Chava would want to marry Fyedka, a non-Jew. And after shouting the praises of "tradition," Tevye must change his tune-and his entire life-when he and his neighbors are forced out of Anatevka by the Czar's minions. Topol's co-stars include Norma Crane as Golde, Yiddish theater legend Molly Picon as Yente the matchmaker, and Leonard Frey as Motel.
Originally broadcast on PBS, The Jewish-Americans covers 350 years in the lives of Jews who have struggled to maintain their religious identity and still be fully accepted as Americans. It is a story at once specific and universal, one that can be appreciated by any ethnic or religious minority who tests whether "democracy, like America, can find room for everyone." Beginning with 23 Jewish exiles seeking safe haven in New Amsterdam in 1654, writer-director David Grubin does an admirable job of charting the often rocky and treacherous course for Jews in this country, and their personal "tug of war between being American and being a Jew." Do they consider themselves Jewish-Americans, or American Jews? Carl Reiner, Mandy Patinkin, Sid Caesar, Jules Feiffer, playwright Tony Kushner, and Supreme Court Justice Ruth Bader Ginsburg are among the more recognizable personalities who offer illuminating commentary and bittersweet reminiscences. But Grubin presents what he calls "an ensemble of voices" rather than "a star-studded parade." Authors, historians, sociologists, academics, and rabbis share a rich personal and cultural history.
Narrated by Liev Schreiber, The Jewish-Americans is comprised of three two-hour episodes, "They Came to Stay," "The Best of Times, the Worst of Times," and "Home." Each is a richly textured tapestry of talking heads, still photos, archival footage, and audio and film clips (the inevitable Gentleman's Agreement), and reveal how Jews have become woven into the fabric of Jewish life. Songwriter Irving Berlin wrote "God Bless America," and the holiday classics "White Christmas" and "Easter Parade." Jerry Siegel and Joe Schuster created Superman. Another crossover pop culture success was Gertrude Berg as Molly Goldberg of the Bronx, offering sage advice and homespun wisdom on radio, television and the movies. One illuminating segment reveals how assimilated movie mogul Louis B. Mayer's Andy Hardy films, with their "fairy tale visions of small town life," were the "American fantasies of a Jewish immigrant." Anti-Semitism rears its ugly head throughout the series. Grubin captures the hysteria surrounding the murder trial of Georgia factory worker Leo Franks, who, in 1915, was falsely convicted in the murder of 13-year-old Mary Phagan, and subsequently lynched by a homicidal mob. The segment that addresses the Holocaust documents America's indifference in dealing with Hitler's "Final Solution." Grubin notes how political activism has long been a part of Jewish-American life, and how Jews took an active role in the Civil Rights struggle. As the old saying goes, you don't have to be Jewish to be compelled and profoundly moved by this ambitious documentary miniseries. But it couldn't hurt.
This is the autobiographical drama of a young Dutch Jewish girl hiding from the invading Nazis during World War II. Anne and her family share a claustrophobic attic with another family. Tension is often unbearable, as the people hiding know that their discovery by the enemy could lead to almost certain death at the hands of their captors. They also must contend with the Dutch Gestapo or "Green Police," who will turn them over to the Nazis if discovered. Dutch nationals risk their lives by hiding the family for two years. The group, despite the horror and crowded conditions, still find time for celebrations of Hanukkah and rejoice quietly in the small attic that has become their world. The story is told from the narrative perspective of Anne, a young girl hoping to live to womanhood. The film was nominated for several academy awards and won two for best supporting actress (Shelley Winters) and for cinematography (William Mellor).
This ground-breaking British documentary offers the most complete biographical account ever compiled of the young Jewish girl whose simple diary entries and observations brought the grim realities of the Holocaust to millions of readers the world over. It not only includes interviews from survivors who knew her, it also looks into never before seen family letters, new photographs and even archival footage. This is all combined with historically accurate recreations of the attic where the refugee Frank family spent two years hiding from the Nazis. Together it all provides a fascinating look into Anna's daily life. At the end, the filmmakers then examine Otto Frank's efforts to preserve his daughter's memory and to keep alive her message of peace.
